Radiohead - No Surprises Essay Example | Topics and Well Written Essays - 4500 words

Radiohead - No Surprises - Essay ExampleBut suddenly, all everywhere the world, gothic culture broke out, arresting conservatism and demanding the right to be musically deranged. Alice Cooper drank lily-livered daub on stage. For some reason, Ozzy Osborne bit the head off of a bat. Graphic tattoos, pythons and tongue piercings had make out boring. Out of nowhere, a musical emancipation pronounced darker theories of death and pain that drew many inferior rockers and pop culture fans into the dark. John Lennon was replaced by Marilyn Manson. Novelist Tom Wolfe labeled the 70s as the Me Decade in The Me Decade and the Third Great Awakening. By the late 1970s, a culture of black lipstick, blood and men adopting female names had grown into its own genre. The State of California was easing its ban of hemp and by 1979, the Gay Movement was red hot. Roughly between 1971 and 1984, everybody was in some type of artistic movement and expressed themselves through music. It was this era th at inspired the gothic music genre unification of cheesy rockers, heavy metal fans, and even some conservative Rock-n-Rollers through the World Wide Web. In 1985, Jonny and Colin Greenwood, Thom York, Ed OBrien, and Phil Selway joined the melodic movement of the misunderstood as Radiohead in Oxfordshire, England. Influenced by alternative rock, American indie and surges of punk and Britpop that surrounded them locally, the environ brought their own kind of strange to Rock. This paper is an exploration of a new era genre of music particularly that of the fairly new punk rock band Radiohead. The focus of the study of the linguistic analysis of the musical mien and songs including, Ok Computers, The Bends, and Radioheads 1997 release No Surprises, within the context of popular music idioms and rock. 1.1 Radiohead Radiohead was formed in Oxford because all the band members grew up and attended secondary school in Oxfordshire (Osborne, 2004 15). Through their use of harmony, disruptiv e melodic figuration and rhythm, Radiohead has been able to build a reputation by accumulating a distinctive musical language, and by drawing from a musical pallet characterized by a strained relationship between mainstream expectation and convention. The bands music style is based upon garage band effects loud and expressive, much like the American grunge bands Nirvana, cloggy Garden and Pearl Jam (Hiburn, 19987). A significant part of Radioheads reputation as true composers and performers of music, punk-ish rock that did not conform to stereotypical pop-music expectations and norms. A vital part of engaging with their music is beingness able to track the events that form associations for the Radiohead-listener with equal events in a single Radiohead song or record album (Moore, 2003 58). Radioheads early music was rather mainstream. Radioheads first two studio recordings seemed quite original due to lack of a provocative esotericism that came to be associated in their later works. The making of OK Computers vie a large role as a significant paradigm shift for the band, artistically and musically (Tate, 2005 14). Both of their first two albums, 1993s Pablo Honey and 1995