The various theoretical approaches to Employment Relations all fail to Essay

The various theoretical approaches to Employment Relations all fail to provide an adequate explanatory framework for the development and practise found within this function of management. Discuss - Essay Example (Dodge, 1997) These companies do not discover these characteristics on a resume, so they employ behavior-based interviews as well ad in depth interviews of their pertinent candidates. Southwest gathers a group of job candidates in a room and observes how they interact. They ask them questions that will reveal personality traits. (Woog, 1998) Consistent feedback is a key element in keeping employees stuck to their respective jobs. This feedback should go both ways and recommends that managers ask employees open-ended questions to provide an opportunity to express their opinions. Employees today will change jobs many times during their careers. These workers are continuous learners and they keep pace with change, take responsibility for their own careers and are committed to the company’s success. (Nink, 2006) Talent management is a function of HR that needs identification of true talent and retaining of employees who work within their instinctive levels, let alone show prowess which is best suited for meeting the desired needs of the HR function. The role of the government in such an exercise is all the more significant since it has to realize that its role is significant right from the onset. The relationship between the organization and the government is one of a symbiotic one since the organization has to recog nize the talent pool which is available and the government needs to make viable conditions for them to exist and work in the best manner possible. (Bell, 2001) The role of HR thus is to liaison these activities in the best interests of the organization as well as the linkage that it has with the government. This helps the overall mission and vision basis of the organization and helps develop the objectives on a long term basis more than anything else. The need is to realize that talent management can truly play a pivotal role

Critical Thinking Reflection Essay Example | Topics and Well Written Essays - 250 words

Critical Thinking Reflection - Essay Example Decline in SNAP benefits will translate to the government focusing on other essential economic projects meant to cushion favorable living standards instead of taxing citizens heavily in order to cater for supplementary issues. Mainly, this involves both exploring as well as thinking in such a way the predicament or situation facing a person normally appears different than how it would have had an initial pose. This is encompasses seeking alternatives in a move to obtain solutions after analyzing varied assumptions without hastily resulting to ungrounded judgments. In this case, assumption recognition usually entails lodging adequate scrutiny of varied beliefs, which underlie preferred choices meant to resolve a certain problem. Its application is extremely essential in both practical life and in resolving scholarly matters. Thinking skills such as creative and critical approach usually are helpful in aiding one express idea in a logical manner and contrary to what numerous people may be assuming is the best alternative in resolving a certain issue. Hence, bring about mental inquiry essential in being creative as well as innovative. However, these skills are not bound to one subject or field because one is able to think and solve problems in any way encountered. To ensure my use of critical thinking in future I need to focus on enhancing own critical approach in each aspect without accepting the ordinary way of perceiving situations. Therefore, I must at least get used to working out different problems during the days. Steenland, Sally. Faith in Values: How to Reduce Poverty and Save Taxpayers $4.6 Billion Per Year. Center for American Progress. 19Th March 2014. Web. 21St September 2014.

Economic Concern in Pride and Prejudice Essay Example for Free

Economic Concern in Pride and Prejudice Essay Jane Austens Pride and Prejudice had a long and varied life before it finally saw publication on January 28, 1813. Austen began the book, originally titled First Impressions, in 1796. Economic concerns are all over the place in this novel. One of the things that Austen does so well is to poke fun of the whole social class mentality of England during that time. In the novel, the social and economic classes are drawn very clearly. For example, the Bennets are middle class and they are made to know it by their economic and social superiors the Bingleys and Darcys. There is a sense of entitlement among the wealth and a sense of subservience among the others. One of the clearest examples of this dynamic based on social class is Mr. Collins who acts like a slave to his cultural superiors, like Lady Catherine de Brourgh. Finally, what makes the story so great is that this tension is teased out until love wins. The marriage between Elizabeth and Darcy is the resolution, but for this to happen Darcy has to overcome his pride and Elizabeth her prejudice. Both are rooted in class consciousness. In Pride and Prejudice, there are many characters who do not have financial concerns, such as Mr. Darcy, Lady Catherine de Bourgh and Mr. Bingley. Therefore I will restrict myself to talking about the Bennet family, and in particular, Mrs. Bennet, in this response. Key to focus on is the way that, at least in part, it is economic reasons that are behind Mrs. Bennets frantic attempts to marry off as many of her daughters as possible. Note what we are told in the first paragraph of Chapter Seven about the brute realities of the existence of the Bennet girls: Mr.  Bennets property consisted almost entirely in an estate of two thousand a year, which , unfortunately for his daughters, was entailed in default of heirs male, on a distant relation; and their mothers fortune, though ample for her situation in life, could but ill supply the deficiency of his. Her father had been an attorney in Meryton, and had left her four thousand pounds. The exact details that we are given clearly indicate how important money is. The way in which the property of Longbourne is entailed away from the female line adds new understanding to Mrs. Bennets determination that Lizzie should mary Mr. Collins, no matter what her personal feelings are, as it would effectively provide for Mrs. Bennet and the rest of the sisters after the event of Mr. Bennet. Later comments made by Mrs. Bennet about the Mr. Collins and Charlotte turning them out onto the street when Mr. Bennet dies, although are clearly exaggerated, nonetheless accurately reflect the uncertain future of this family unless they can marry off some of their daughters well to provide for the rest. Economic forces are therefore shown to bear massively on the fortunes of this family.

Discuss Michael Jacksons influence on modern dance

Discuss Michael Jacksons influence on modern dance Michael Jackson: The King of Pop (1958-2009) World-renowned for the influence he brought to the international music and dance scene, Michael Jackson was and still is an iconic figure in the entertainment industry. He was an all-rounded phenomenon in the history of pop culture, a singer, songwriter, dancer and choreographer, all incorporated in one body. His talent in being able to fuse his music and dance style together so seamlessly was probably one of the reasons for his booming success as an artist. The transformation and influence that he had brought about in the entertainment industry, dance included, might very well be the greatest legacy that any solo artist had ever left behind. Michael Jacksons Career as an artist A born artist, Michael Jackson had been a singer and dancer throughout his lifetime, from an age as young as 5 years old. He initially learnt to dance by studying the shows of leading artists at that time, such as James Brown and Jackie Wilson. From the time of Michaels entry into the Jackson 5, at the age of 5, till the time he was 13 years old, the Jackson 5 had already been featured in numerous television programmes, live shows and produced several hit albums. (Carlsson, The Jackson 5 Era) At the age of 13, Michael produced his first solo single, Got To Be There, which topped the charts both in the United States (US) and the United Kingdom (UK). He was a phenomenon to be reckoned and displayed maturity in his singing far beyond his actual age. With his solo career well on its way, Michael continued to perform with his brothers as the Jackson 5. Along with the release of the song Dancing Machine, Michaels talent as a dancer was also realized as he pioneered what was called the robot dance, a disco dance style that quickly became popular. By 1974, Michael Jackson had produced 4 albums of his own, including a number 1 hit on the US charts, making him the youngest vocalist to ever top the US charts at the age of 16. His solo career was further developed in versatility when he was featured in a motion picture, Wiz. (Carlsson, Off the Wall Era) By the age of 26, Michael had won multiple awards as a musician, acted in various movies and had already reached the point of international stardom. About this time as well, Michael began his first solo tour. With his whopping success, popularity, fame and talent, Michael proved himself to be the greatest entertainer of the 1980s and the best-selling artist of all time. It was also in 1989 that the term King of Pop was so aptly coined for him. Michael Jackson was inducted into the Rock and Roll Hall of Fame twice, one as a part of the Jackson 5 and another as a solo artist. Over the years, he established for himself a reputation for his dance moves and choreographic work as well, above being a singer, songwriter and actor. He developed certain signature moves, which the world has come to know and see so much of in his work, such as the moonwalk, the toe stand and the anti-gravity lean. (Harrington) Though his personal life was filled with controversies and tarnished with accusations of various misdeeds, he was no doubt a great entertainer and artist who left behind a legacy that many artists, singers, dancers and musicians alike, continue to keep alive. Michael Jacksons Approach to Dance Michael Jacksons dance style was influenced by a wide range of people, varying from RB artists to even ballerinas. His influences included jazz, street dances and African-American indigenous styles. Throughout his career, he was under no formal training, nor did he have any dance teachers supervising him, further affirming his natural talent. He was completely self-taught and worked very much in isolation when it came to mastering his famous dance moves. (Beers) He was creative in the way he brought different techniques of various dance styles together, taking whatever he saw and liked in other dancers and making them his own. (Roy) By fusing various styles and techniques, together with his own artistic creations, he introduced an entirely new dance style to the world. He was born with natural flair, grace, flexibility and even musicality. Most definitely, these developed further as he grew as a part of the Jackson 5 and eventually as a solo artist. He was a perfectionist as a dancer, refining his steps and moves till they were flawless before they were presented on a stage. His dance works took long periods of preparation and hard work, rarely a result of instantaneous improvisation. Michael Jackson was also born with a talented and creative mind. While his works were inspired by various styles and specific artists at that time, he was known for his original and phenomenal invention of steps as well. His moves may have been similar to certain techniques in some styles, yet what defined them as a whole new dance style was the difference in their execution and presentation as part of pop culture, along with his songs. He executed his movements with sharpness and great precision, evidence of his many hours of practice in the dance studio on his own. With all these factors taken into consideration, it was obvious how he so easily left a legacy as a dancer just as much as he did as a singer. Its Relation and Impact on Dance From the moment Michael Jackson stepped into the Jackson 5 at the age of 5, whether he was part of the group or going solo, he was an entertainer and performer wherever he went and captured the hearts of many who watched him. He was as successful a dancer as he was a musician and his works continue to inspire many in the entertainment industry today. Traces of his dance moves are still being kept alive by many leading artists such as Usher and Justin Timberlake, though not executed as flawlessly as the man himself. (Brown) His influence on the worldwide dance scene was something that I believe took place largely due to his success as a musician and singer. The style of his dance moves complemented his songs so well that these two elements together gave a whole new dimension to pop culture. Before Michael Jackson, few have had as much success in transforming and redefining dance the way he did. He played a pivotal role in the history of dance as he gave new breadth and depth to the vocabulary of different genres of dance such as jazz and hip-hop. I believe that what sets him apart from other choreographers and artists who also create their own moves is the fact that his dance movements have lasted not only the test of time but have also moved across space to become a worldwide phenomenon. Through him, the dance scene has changed all across the globe. Many seek not only to learn the steps but to execute them with as much precision and style as he did. This proves that his success as such an influential dancer was not only due to the aesthetic value of his steps but can also be attributed to the amount of entertainment value he possessed when he performed them. The impact of Michael Jacksons work may not be as evident in some genres of dance as they are in others but he has no doubt played a highly significant role in molding the artists of this generation, dancers included. He still stands strong as the King of Pop and will continue to do so till the next time as great a phenomenon as him emerges in the arts scene. Conclusion Dance, as a part of the performing arts, has grown over time to become more important in terms of entertainment value, beyond the technically perfect and intrinsically precise. Michael Jackson could very likely be responsible for pushing this element of dance to the point where it is today, with the combination of music, use of the body and entertainment value all together as one. Though many other classical and traditional forms of dance continue to stand firm in their original forms, not infused with modern elements of great artists such as Michael Jackson, it is sufficient to say that his overwhelming success as an artist throughout his life has, at the very least, transformed a very large part of the broad genre of modern dance in the world today.

Language Follows Evolution of Jackson and Trewe Relationship Parallelin

Language Follows Evolution of Jackson and Trewe Relationship Paralleling the Colonization to Post-Colonial Movement in Pantomime The play opens on the edge of a cliff; anything can happen. Derek Walcott, a playwright from the Caribbean, lives his own life on the edge of a cliff. Walcott’s family placed strong emphasis on education and ancestry. His inherent duality, European and African, mirrors that of post-colonialism (Gilbert 131). It is this duality that Walcott tries to reconcile in his work, drawing on his experiences in the theatre and in the Caribbean (King 260). In Pantomime, Walcott employs the versatility of language to describe the evolving relationship between main characters Harry Trewe and Jackson Philip paralleling the colonization to post-colonial movement and comes to a tentative reconciliation. Walcott sets the stage for numerous parallelisms by naming his play Pantomime. A pantomime is a traditional British Christmas entertainment that features stock characters in costume who sing, dance and perform skits. The tradition dates back to the 16th century, stemming from Commedia dell’ Arte, which included farce-like elements and masquerade. Ironically, the general premise of a pantomime, the characters speak the same language but do not seem to understand each other, echoes that of Walcott’s Pantomime. Trewe’s pantomime is based on wordless storytelling versus Jackson’s background as a Calypsonian, which deals with improvisation of words based on a given topic. Also, Elaine Savory suggests that Walcott may have chosen this form because the two men feel most comfortable exploring life from behind a mask, like those one might find in a pantomime (227). Already, their background hinders their communication and ... ...he Caribbean. NY: State U of NY Press, 2000. Juneja, Renu. â€Å"Derek Walcott.† Post-Colonial English Drama: Commonwealth Drama Since 1960. Bruce King, ed. NY: St. Martin’s Press Inc., 1992. King, Bruce. Derek Walcott: A Caribbean Life. Oxford: Oxford UP, 2000. Savory, Elaine. â€Å"Art and Macho Attitudes: The Case of Walcott.† Postcolonial Literatures: Achebe, Ngugi, Desai, Walcott. Michael Parker and Roger Starkey, eds. London: Macmillan Press LTD, 1995. Savory, Elaine. â€Å"Registering Connection: Masking and Gender Issues in Caribbean Theatre.† (Post)Colonial Stages: Critical & Creative Views on Drama, Theatre & Performance. Helen Gilbert, ed. UK: Dangaroo Press, 1999. Thieme, John. Derek Walcott, Contemporary World Writers. Manchester: Manchester UP, 1999. Walcott, Derek. â€Å"Pantomime.† Postcolonial Plays: An Anthology. Helen Gilbert, ed. NY: Routledge, 2001.

Comparing Themes of Lord of the Flies, The Inheritors, and Pincher Martin :: comparison compare contrast essays

Themes of Lord of the Flies, The Inheritors, and Pincher Martin      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   A running theme in William Golding's works is that man is savage at heart, always ultimately reverting back to an evil and primitive nature. The cycle of man's rise to power, or righteousness, and his inevitable fall from grace is an important point that Golding proves again and again in many of his works, often comparing man with characters from the Bible to give a more vivid picture of his descent. Golding symbolizes this fall in different manners, ranging from the illustration of the mentality of actual primitive man to the reflections of a corrupt seaman in purgatory.         William Golding's first book, Lord of the Flies, is the story of a group of boys of different backgrounds who are marooned on an unknown island when their plane crashes. As the boys try to organize and formulate a plan to get rescued, they begin to separate and as a result of the dissension a band of savage tribal hunters is formed. Eventually the "stranded boys in Lord of the Flies almost entirely shake off civilized behavior: (Riley 1: 119). When the confusion finally leads to a manhunt [for Ralph], the reader realizes that despite the strong sense of British character and civility that has been instilled in the youth throughout their lives, the boys have backpedaled and shown the underlying savage side existent in all humans. "Golding senses that institutions and order imposed from without are temporary, but man's irrationality and urge for destruction are enduring" (Riley 1: 119). The novel shows the reader how easy it is to revert back to the evil nature inherent in man. If a group of well-conditioned school boys can ultimately wind up committing various extreme travesties, one can imagine what adults, leaders of society, are capable of doing under the pressures of trying to maintain world relations.    Lord of the Flies's apprehension of evil is such that it touches    the nerve of contemporary horror as no english novel of its time has    done; it takes us, through symbolism, into a world of active,    proliferating evil which is seen, one feels, as the natural condition of    man and which is bound to remind the reader of the vilest manifestations    of Nazi regression (Riley 1: 120).

How does Steinbeck present the life of an itinerant worker at the beginning of the novel?

Steinbeck begins his novel by creating the setting. He paints a beautiful image of a peaceful environment where Lennie and George live in. This suggests an ironic tone to their lives as it is not quite as peaceful and harmonic as the setting. Their lives is quite the opposite, as they work hard and their only form of entertainment is starting fights, drinking heartly and going to cathouses. Readers are introduced to the lives of itinerant workers in America during the Great Depression.Steinbeck uses setting to describe itinerant workers’ lives such as â€Å"small square windows† – a symbolism of the prison-like working conditions of a farmhand worker. Also, it portrays the small constricted view of the outside world that these itinerant workers had. They did not have any privileges and did not afford to have any luxury. It could be argued that their bosses had total control over the itinerant workers.They were confined to have a simple life such as displayed when it is said â€Å"Tell ya what – know what he done Christmas? Brang a gallon of whisky right in here and says, Drink hearty, boys. Christmas comes but once a year.† This shows their simplicity and how they are easily pleased and impressed due to their low expectations. Although, at the mercy of their bosses, itinerant workers were victims of exploitation of work such as being overworked and maltreated as seen in this quote â€Å"The boss gives him hell when he’s mad†. This suggests the workers had to keep the boss satisfied.African-American itinerant workers are mentioned at the beginning of the book and the frequent use of the word, now an explicitly racist word â€Å"nigger† is heavily used to emphasise the attitude society had to african-americans. The first reference to it is in the quote â€Å"Ya see the stable buck’s a nigger.† We are hinted to the idea of â€Å"niggers† being treated worse than men such as Lennie and Geo rge, because of their skin colour and the old belief of african-americans being less â€Å"worthy†. Itinerant workers were used to the constant verbal and occasional physical abuse given by their bosses. Readers get the opportunity to understand better the mentality of itinerant workers and how they would prefer to spend their leisure time.â€Å"When the end of the month come, I could take my fifty bucks and go into town and get  whatever I want. Why, I could stay in a cathouse all night.†, â€Å"Order any damn thing I could think of†, â€Å"Get a gallon of whisky, or set in a pool room and play cards or shoot pool†. Readers keep being reminded of their simple life and low-life cheap entertainment which was the norm, this was what itinerant workers enjoyed. Another suggestion to entertainment enjoyed by them is in the form of violence: â€Å"After that the guys went into Soledad and raised hell.†. As they were farm-men and known for being masculi ne, they would carry out violent acts for the sake of satisfaction.Their simple way of living and their natural simplicity is stressed several times in the beginning of the novel such as when Lennie is described to the boss in an attempt to make him appear more handy: â€Å"Oh! I ain’t saying he’s bright. He ain’t. But I say he’s a God damn good worker.†. This emphasises the lack of education amongst itinerant workers. It is also reflected in the sociolect used by these men, which is grammatically incorrect but widely spoken: â€Å"An’ you ain’t gonna do no bad things like you done in Weed, neither.†In conclusion, we are exposed to a lot of information in the beginning of the novel that describes the way itinerant workers lived and their personalities and interests in order to properly understand the story.